‘One Piece’ Producer Tetsu Fujimura Says Japan’s IP Is Going Global
Tetsu Fujimura’s keynote talk at TIFFCOM on The Future of Japanese Intellectual Property in Global Adaptations highlighted the growing importance of Japanese IP in the global market. As the founder of Filosophia and Gaga Corporation, Fujimura shared insights into his successful journey in producing Japan-generated content for a worldwide audience, including the popular Netflix live-action series “One Piece.”
One key factor in Fujimura’s success has been his collaborations with top Hollywood producers such as Avi Arad and Marty Adelstein. These partnerships have led to the creation of successful projects like the live-action “Ghost in the Shell” and “One Piece.” Fujimura emphasized that his achievements are just a part of the larger wave of Japanese IP making waves in the global marketplace.
Over the years, Japanese IP, ranging from manga and anime to movies and games, has gained significant traction internationally. Fujimura pointed out that Japanese works feature prominently in global IP revenue rankings, with titles like ‘Pokemon,’ ‘Hello Kitty,’ ‘Dragon Ball,’ and ‘One Piece’ among the top earners. This trend underscores Japan’s impact on the global entertainment industry.
The strength of Japanese IP can be attributed to three main factors, according to Fujimura. Firstly, Japan’s rich culture of manga and anime, supported by major publishers and animation studios, has fueled a global appetite for Japanese content. Secondly, the widespread distribution of anime through platforms like Netflix and Amazon has expanded its reach. Lastly, Japan’s position as a leading gaming powerhouse, with companies like Sony and Nintendo producing iconic titles, has further bolstered the appeal of Japanese IP.
Fujimura highlighted the success of Japanese IPs in Hollywood, particularly in the adaptation of game originals into live-action films. He cited the example of “The Super Mario Bros. Movie,” which grossed over $1.3 billion worldwide, ranking as one of the highest-earning animations of all time. This achievement showcases the immense potential of Japanese animation on a global scale.
In conclusion, Fujimura expressed confidence in the future growth of Japanese IP genres like manga, anime, and games. He believes that these genres will continue to thrive and make a mark in Hollywood, demonstrating Japan’s strength in producing successful IPs for a global audience. This serves as a testament to the potential and success of Japanese IPs in the international entertainment industry.



